Who is amanda palmer

Her solo career has proven equally brave and boundless, featuring such groundbreaking works as the crowd-funded Theatre Is Evil , which made a top 10 debut on the Billboard in and remains the top-funded original music project on Kickstarter.

Since Palmer has used the patronage platform Patreon to fund her artwork with an average of 15, patrons micro-supporting her creations each month. Or for music. Or for media: The fact of the matter is, a woman in her mid-thirties wrote, performed and released an album that was musically relevant and probably her best work to date; we responded by talking about her body, her personality and who she was sleeping with.

We called her too loud, too self-assured, too ambitious. The hatred for Palmer was uniquely gendered. Amanda Palmer got dropped by her label and self-released an album, but she managed to get just as much disapproving press, if not more.

Amanda Palmer, meanwhile, was mostly just accused of being annoying. The conversation was about her personality and looks so loud! Eminem is a legend. Palmer is roadkill. During all this, some great writers tried to keep a focus on the real issues and point out that Amanda Palmer did and said hurtful, exploitative and flat-out offensive things.

She will become hostile to it, or at least immune. She must petrify, or shatter. The days of the Amanda Palmer free-for-all are over.

The reviews of her book have been critical, but gently so. Some of these women are almost as infuriating as Palmer; some are more so. From porn stars to empathy researchers, and cartoonists to climate scientists, no topic is out of bounds.

Listen and subscribe wherever you get your podcasts. Do you know that I love to talk to people? About hard and uncomfortable things? Retweeting praise is fine! And this, Amanda says, is the problem. In the old days, comparatively niche punk-cabaret communities such as hers could go about their business happily unspied on by naysayers, but no longer. Which is what Bono basically alluded to in his email to her, she says.

One thing that really riles her critics is her apparent unwillingness to take on board anything they say. The taxi takes us on to the motorway, and then out into the suburbs, until we pull up outside a small house.

Inside, Amanda explains, are 25 Amanda Palmer fans. Someone emerges as the leader. That person lays out the five grand with unprecedented trust in a bunch of strangers. And it has worked beautifully. We climb out of the taxi. Amanda warns me not to fill the room with outsider-journalist bad vibes. We go inside. For the next five hours, Amanda chats and has her photograph taken with each of the 25 fans.

They make pizzas together. She eats their snacks and drinks their beer and they tell her about their lives. Some are teenagers, others retirees. Some are aspiring musicians.