By writing about something argumentative, it can be assumed there were people that would disagree with Donne 's views but he does not seem to. Classic works of literature are not arbitrarily deemed as such. In order to be regarded so highly, a literary work must demonstrate its ability to touch upon — and thoughtfully examine — important issues of a particular era so to speak, a slice of time. A traditional canon is substantiated by consistent and legitimate acclaim, and while of course there is an underlying element of subjectivity, literary scholars tend to possess discerning taste.
Blindly placing faith in the opinions of experts can be dangerous, however; trusting all of their judgments and assuming the entire literary canon is worthwhile to read would be a misstep. Ideally, by initiating readers with exemplary works, a unique taste is born and the reader can then pursue the literature of their choosing. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
Modern poetry is significant to everyday life because it dares us to break free from the safe strategies of a discreet mind, enabling us to honor the unknown, both in us and in the world. Proving that if you want to keep the reader intrigued with your writing you do not have to make it sound fancy you can complicate the text and eventually lose their attention.
Porritt then The formalistic approach is only one way of dissecting an open text such as the poem "To His Coy Mistress", but it is one of the best ways to search for the overall meaning of a text. With tools such as structure, style, and imagery, the reader becomes personally involved with the characters and savors the story instead of just reading the written words. Werther is content in acknowledging he does not know where his heart will take him, and in this he is not weighed down by things beyond his control.
He demonstrates this by reading Homer and taking time to contemplate the world around him. Both art forms capture and appeal to the strong emotional senses of the Romantics. If the poem had a lighthearted tone, then it would fail to create a connection with the readers because individuals can generally relate to literature if there is a cost at stake or emotions in play.
In this particular case, the narrator is deciding between two paths at the crossroads. But every now and then, it can offer something rich and satisfying, by virtue of — and not in spite of — its formal limitations. This little departure from the conventions of the Petrarchan sonnet suggests that the sonnet, whilst restricted in numerous ways, allows for the poet to innovate and put their own stamp on the form.
Within regularity and form we can nevertheless make room for expansiveness, a point Wordsworth also makes through his choice of rhymes. Great post. Thanks for sharing it. Enter your email address to subscribe to this site and receive notifications of new posts by email. Email Address. Two sonnets, "On the Sonnet" by John Keats and "Nuns fret not at their convent's narrow room" by William Wordsworth, address the same subject, the restrictions of the sonnet.
Despite the same subject matter, they approach these restrictions using different forms and imagery, and each has his own opinion of the subject. Keats starts off his sonnet using an allusion from Greek mythology: Andromeda, a princess chained to a rock and in danger of being devoured by a sea monster.
This was his main idea and criticism of the structure of the sonnet--if poets are chained by the Shakespearean or Italian format, the sonnet will eventually lose its spirit and be devoured over time. He advises his fellow sonneteers to "fit the naked foot of poesy", like us wearing shoes by breaking the rhythm and imposing creativity on the form, so the sonnet can endure.
This is because it will stand out among mediocre sonnets. His last allusion is to the Muse-Greek goddess of art-to express the creativeness and freedom needed for the beauty of poetry. With "the weight of too much liberty", poetry is as restrictive as ever, argues Wordsworth.
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